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The Dead in Their Vaulted Arches

Cover of The Dead in Their Vaulted Arches

The Dead in Their Vaulted Arches

Flavia de Luce Mystery Series, Book 6
NEW YORK TIMES BESTSELLEROn a spring morning in 1951, eleven-year-old chemist and aspiring detective Flavia de Luce gathers with her family at the railway station, awaiting the return of her long-lost...More
NEW YORK TIMES BESTSELLEROn a spring morning in 1951, eleven-year-old chemist and aspiring detective Flavia de Luce gathers with her family at the railway station, awaiting the return of her long-lost...More
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  • ATOS:
    6.5
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  • Interest Level:
    MG+
  • Reading Level:
    5

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Description-
  • NEW YORK TIMES BESTSELLER

    On a spring morning in 1951, eleven-year-old chemist and aspiring detective Flavia de Luce gathers with her family at the railway station, awaiting the return of her long-lost mother, Harriet. Yet upon the train's arrival in the English village of Bishop's Lacey, Flavia is approached by a tall stranger who whispers a cryptic message into her ear. Moments later, he is dead, mysteriously pushed under the train by someone in the crowd. Who was this man, what did his words mean, and why were they intended for Flavia? Back home at Buckshaw, the de Luces' crumbling estate, Flavia puts her sleuthing skills to the test. Following a trail of clues sparked by the discovery of a reel of film stashed away in the attic, she unravels the deepest secrets of the de Luce clan, involving none other than Winston Churchill himself. Surrounded by family, friends, and a famous pathologist from the Home Office--and making spectacular use of Harriet's beloved Gipsy Moth plane, Blithe Spirit--Flavia will do anything, even take to the skies, to land a killer.

    Praise for The Dead in Their Vaulted Arches

    "Part Harriet the Spy, part Violet Baudelaire from Lemony Snicket's A Series of Unfortunate Events, Flavia is a pert and macabre pragmatist."--The New York Times Book Review

    "[Alan] Bradley's award winning Flavia de Luce series . . . has enchanted readers with the outrageous sleuthing career of its precocious leading lady. . . . This latest adventure contains all the winning elements of the previous books."--Library Journal (starred review)

    "Bradley's latest Flavia de Luce novel reaches a new level of perfection as it shows the emotional turmoil and growth of a girl who has always been older than her years and yet is still a child. The mystery is complex and very personal this time, reaching into the past Flavia never knew about. . . . These are astounding, magical books not to be missed."--RT Book Reviews (Top Pick)

    "Excellent . . . Flavia retains her droll wit. . . . The solution to a murder is typically neat, and the conclusion sets up future books nicely."--Publishers Weekly (starred review)

    "It's hard to resist either the genre's pre-eminent preteen sleuth or the hushed revelations about her family."--Kirkus Reviews

    "Flavia . . . is as fetching as ever; her chatty musings and her combination of childish vulnerability and seemingly boundless self-confidence haven't changed a bit."--Booklist

    Acclaim for Alan Bradley's beloved Flavia de Luce novels, winners of the Crime Writers' Association Debut Dagger Award, Barry Award, Agatha Award, Macavity Award, Dilys Winn Award, and Arthur Ellis Award

    "If ever there were a sleuth who's bold, brilliant, and, yes, adorable, it's Flavia de Luce."--USA Today

    "Irresistibly appealing."--The New York Times Book Review, on A Red Herring Without Mustard

    "Original, charming, devilishly creative."--Bookreporter, on I Am Half-Sick of Shadows

    "Delightful and entertaining."--San Jose Mercury News, on Speaking from Among the Bones

    From the Hardcover edition.

 
Awards-
Excerpts-
  • Chapter One

    To begin with, it was a perfect English morning: one of those dazzling days in early April when a new sun makes it seem suddenly like full-blown summer.

    Sunshine broke through the fat white dumplings of the clouds, sending shadows chasing one another playfully across the green fields and up into the gently rolling hills. Somewhere in the woods on the other side of the railway line, a nightingale was singing.

    "It's like a colored plate from Wordsworth," my sister Daphne said, almost to herself. "Far too picturesque."

    Ophelia, my oldest sister, was a still, pale, silent shadow, lost in her own thoughts.

    At the appointed time, which happened to be ten o'clock, we were all of us gathered more or less together on the little railway platform at Buckshaw Halt. I think it was the first time in my life I had ever seen Daffy without a book in her hand.

    Father, who stood a bit apart from us, kept glancing every few minutes at his wristwatch and looking along the track, eyes squinting, watching for smoke in the distance.

    Directly behind him stood Dogger. How odd it was to see these two men--gentleman and servant--who had been through such ghastly times together, standing dressed in their Sunday best at an abandoned country railway station.

    Although Buckshaw Halt had once been used to bring both goods and guests to the great house, and although the rails remained, the station proper, with its weathered bricks, had been boarded up for donkey's years.

    In the past few days, though, it had been hurriedly made ready for Harriet's homecoming: swept out and tidied up, its broken windowpanes replaced, the tiny flower bed weeded and planted with a small riot of flowers.

    Father had been asked to go up to London and ride with her back to Buckshaw, but he had insisted on being at the little station at Buckshaw Halt to meet the train. It was, after all, he had explained to the vicar, the place and manner in which he had first met her all those many years ago when both of them were young.

    As we waited, I noticed that Father's boots had been polished to a high-gloss perfection, from which I deduced that Dogger was currently in a much improved state. There were times when Dogger screamed and whimpered in the night, huddled in the corner of his tiny bedroom, visited by the ghosts of far-off prisons, tormented by the devils of the past. At all other times he was as competent as any human is capable of being, and I sent up thanks that this morning was one of them.

    Never had we needed him more.

    Here and there on the platform, small, tight knots of villagers, keeping a respectful distance, talked quietly to one another, preserving our privacy. More than a few of them stood huddled closely round Mrs. Mullet, our cook, and her husband, Alf, as if doing so made them, by some magic, part of the immediate household.

    As ten o'clock approached, everyone, as if at an arranged signal, fell suddenly quiet, and an unearthly hush settled upon the countryside. It was as though a bell jar had been lowered upon the land and all the world was holding its breath. Even the nightingale in the woods had abruptly ceased its song.

    The very air on the station platform was now electric, as it often becomes when a train is approaching but not yet in sight.

    People shifted uneasily from foot to foot, and the faint wind of our collective breathing made a soft sigh on the gentle English air.

    And then, finally, after what seemed like an eternal stillness, we saw in the distance the smoke from the engine.

    Nearer and nearer it came, bringing Harriet--bringing my mother--home.

    The breath seemed sucked from my lungs as...

About the Author-
  • Alan Bradley is the internationally bestselling author of many short stories, children's stories, newspaper columns, and the memoir The Shoebox Bible. His first Flavia de Luce novel, The Sweetness at the Bottom of the Pie, received the Crime Writers' Association Debut Dagger Award, the Dilys Winn Award, the Arthur Ellis Award, the Agatha Award, the Macavity Award, and the Barry Award, and was nominated for the Anthony Award. His other Flavia de Luce novels are The Weed That Strings the Hangman's Bag, A Red Herring Without Mustard, I Am Half-Sick of Shadows, and Speaking from Among the Bones.

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Flavia de Luce Mystery Series, Book 6
Alan Bradley
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Alan Bradley
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